Futbolnomics
Balances

They didn't go broke from bad investing: they went broke from having no structure

Series ‘The footballer's money' (1 of 4). Riise, Gillespie, Hendrie and Drenthe earned fortunes and ended up bankrupt. It wasn't a bad business that sank them, but something duller: they had no architecture. The first law of keeping money isn't picking right, it's containing.

Carla CostaBy Carla Costa·June 8, 2026·3 min read

John Arne Riise drew, for years, one of the best salaries at Liverpool —around £50,000 a week—. And in 2007 he ended up declared bankrupt over a debt of around £100,000 at Liverpool County Court: less than he earned in a month. He isn't the only one. Keith Gillespie was declared bankrupt in 2010; Lee Hendrie in 2012 before London's High Court; Royston Drenthe in 2020 before a court in Breda. Four footballers who banked fortunes and ended up with nothing. The obvious question is how someone who earned so much goes broke. The less obvious answer is the thesis we open this series with.

Because intuition deceives us. We assume the footballer who goes broke is the one who invested in the wrong business: the bar that closed, the developer that folded. But look at the cases coldly and the trigger is rarely one specific bad investment. It's something more structural and more boring: they had no architecture. They mixed personal cash with business risk, propped up their lifestyle with debt, trusted a single person with no controls, and left tax and liquidity for «later». It wasn't a bad pick that sank them. It was the absence of structure. And the proof is in the mirror: those who keep their money don't pick better than those who lose it. They have structure. It's almost the only variable that cleanly separates one list from the other.

Look at how the ones who last invest. Not in their own name, like someone who buys a flat and prays. They do it through vehicles: companies, holdings, funds with a board and audited accounts. A group of Spanish footballers —Dani Olmo, Adrián, Jurado and Negredo among them— didn't each buy property on their own: they went in together through Perseida, a SOCIMI listed on Euronext Paris, with external corporate governance and accounts someone reviews; the core group of players controls around 74.59% of the company. Iniesta shields his businesses under Maresyterey, his family holding active since 2001, which recapitalises the lines that lose money. And Valdés, after retiring, organised his wealth into a family holding company rather than leaving it loose.

That isn't financial sophistication for show. It's a firewall. Structure does one very concrete and very powerful thing: it separates your personal money from the business risk. If the business fails, it doesn't take your house down with it. The bankrupt player had no such wall; when one piece fell, everything fell, because everything was glued together.

The Futbolnomics read. Here's the uncomfortable part, and it applies to anyone, not just footballers: the difference between keeping a fortune and losing it is not, in the first instance, the talent for picking investments. It's the architecture that contains them. A genius picking assets with no structure is more exposed than a mediocre one with a good holding, a good adviser and a wall between his cash and his bets. Talent decides how much you earn; structure decides how much you keep. They're two different muscles —and the footballer trains the first all his life while no one teaches him the second—.

That's why the athlete is the perfect laboratory to see this law in its pure state. He concentrates an enormous fortune in a brutally short window —ten, twelve good years— and then has fifty ahead without that income. It's the scenario where the lack of structure is paid for fastest and most dearly. What takes decades to show in an ordinary person erupts in five years for a footballer.

The conclusion of this first instalment is almost reassuring: you don't need to be a financial genius to avoid ruin. You need architecture. Those who last aren't smarter at choosing; they're more orderly at containing. And order, unlike talent, can be copied.

The question that opens the next instalment is the natural one: fine, I need structure, but structure for what? Where does the prudent footballer start when he finally decides to organise his money? The answer is almost always the same —and less glamorous than it sounds—. We'll see it next week.

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Carla Costa

Carla Costa

Editorial director

Carla Costa is a journalist with an MBA. During her postgraduate studies she met Bruno Soler and they discovered a shared curiosity: understanding football not only as a sport but as one of the most influential industries in the world. That vision gave rise to Futbolnomics, a project devoted to analyzing the economics, strategy, innovation, finance and management behind clubs, major competitions and the business of football. As editorial director, Carla turns complex topics into rigorous, accessible analysis, convinced that to truly understand football you must first understand how its business works.

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